Stuckism is a radical and controversial art group that was co-founded in 1999 by Charles Thomson and Billy Childish (who left in 2001) along with eleven other artists. The name was derived by Thomson from an insult to Childish from his ex-girlfriend, Brit artist Tracey Emin, who had told him that his art was 'Stuck'. Stuckists are pro-contemporary figurative painting with ideas and anti-conceptual art, mainly because of its lack of concepts. Stuckists have regularly demonstrated dressed as clowns against the Turner Prize. Several Stuckist Manifestos have been issued. One of them Remodernism inaugurates a renewal of spiritual values for art, culture and society to replace the emptiness of current Postmodernism. The web site www.stuckism.com, started by Ella Guru, has disseminated these ideas, and in twelve years Stuckism has grown to an international art movement with over 237 groups in 52 countries. These groups are independent and self-directed.
Charles Thomson (stuckism co-founder)
THE STUCKISTS Manifesto
"Your paintings are stuck,
you are stuck!
Stuck! Stuck! Stuck!"
Against conceptualism, hedonism and the cult of the ego-artist.
- Stuckism is the quest for authenticity. By removing the mask of cleverness and admitting where we are, the Stuckist allows him/herself uncensored expression.
- Painting is the medium of self-discovery. It engages the person fully with a process of action, emotion, thought and vision, revealing all of these with intimate and unforgiving breadth and detail.
- Stuckism proposes a model of art which is holistic. It is a meeting of the conscious and unconscious, thought and emotion, spiritual and material, private and public. Modernism is a school of fragmentation — one aspect of art is isolated and exaggerated to detriment of the whole. This is a fundamental distortion of the human experience and perpetrates an egocentric lie.
- Artists who don’t paint aren’t artists.
- Art that has to be in a gallery to be art isn’t art.
- The Stuckist paints pictures because painting pictures is what matters.
- The Stuckist is not mesmerised by the glittering prizes, but is wholeheartedly engaged in the process of painting. Success to the Stuckist is to get out of bed in the morning and paint.
- It is the Stuckist’s duty to explore his/her neurosis and innocence through the making of paintings and displaying them in public, thereby enriching society by giving shared form to individual experience and an individual form to shared experience.
- The Stuckist is not a career artist but rather an amateur (amare, Latin, to love) who takes risks on the canvas rather than hiding behind ready-made objects (e.g. a dead sheep). The amateur, far from being second to the professional, is at the forefront of experimentation, unencumbered by the need to be seen as infallible. Leaps of human endeavour are made by the intrepid individual, because he/she does not have to protect their status. Unlike the professional, the Stuckist is not afraid to fail.
- Painting is mysterious. It creates worlds within worlds, giving access to the unseen psychological realities that we inhabit. The results are radically different from the materials employed. An existing object (e.g. a dead sheep) blocks access to the inner world and can only remain part of the physical world it inhabits, be it moorland or gallery. Ready-made art is a polemic of materialism.
- Post Modernism, in its adolescent attempt to ape the clever and witty in modern art, has shown itself to be lost in a cul-de-sac of idiocy. What was once a searching and provocative process (as Dadaism) has given way to trite cleverness for commercial exploitation. The Stuckist calls for an art that is alive with all aspects of human experience; dares to communicate its ideas in primeval pigment; and possibly experiences itself as not at all clever!
- Against the jingoism of Brit Art and the ego-artist. Stuckism is an international non-movement.
- Stuckism is anti ‘ism’. Stuckism doesn’t become an ‘ism’ because Stuckism is not Stuckism, it is stuck!
- Brit Art, in being sponsored by Saachis, main stream conservatism and the Labour government, makes a mockery of its claim to be subversive or avant-garde.
- The ego-artist’s constant striving for public recognition results in a constant fear of failure. The Stuckist risks failure wilfully and mindfully by daring to transmute his/her ideas through the realms of painting. Whereas the ego-artist’s fear of failure inevitably brings about an underlying self-loathing, the failures that the Stuckist encounters engage him/her in a deepening process which leads to the understanding of the futility of all striving. The Stuckist doesn’t strive — which is to avoid who and where you are — the Stuckist engages with the moment.
- The Stuckist gives up the laborious task of playing games of novelty, shock and gimmick. The Stuckist neither looks backwards nor forwards but is engaged with the study of the human condition. The Stuckists champion process over cleverness, realism over abstraction, content over void, humour over wittiness and painting over smugness.
- If it is the conceptualist’s wish to always be clever, then it is the Stuckist’s duty to always be wrong.
- The Stuckist is opposed to the sterility of the white wall gallery system and calls for exhibitions to be held in homes and musty museums, with access to sofas, tables, chairs and cups of tea. The surroundings in which art is experienced (rather than viewed) should not be artificial and vacuous.
- Crimes of education: instead of promoting the advancement of personal expression through appropriate art processes and thereby enriching society, the art school system has become a slick bureaucracy, whose primary motivation is financial. The Stuckists call for an open policy of admission to all art schools based on the individual’s work regardless of his/her academic record, or so-called lack of it.
We further call for the policy of entrapping rich and untalented students from at home and abroad to be halted forthwith.
We also demand that all college buildings be available for adult education and recreational use of the indigenous population of the respective catchment area. If a school or college is unable to offer benefits to the community it is guesting in, then it has no right to be tolerated.
- Stuckism embraces all that it denounces. We only denounce that which stops at the starting point — Stuckism starts at the stopping point!
The following have been proposed to the Bureau of Inquiry for possible inclusion as Honorary Stuckists:
Vincent van Gogh
Stuckists demonstrate against the Turner prize, London, 2003.
Prague-stuckist group was founded in 2004. It was the first stuckists group in eastern Europe.
Founding members were: art historian Robert Janás, painters Jan Spěváček, Martin Salajka, Lukáš Olrita, Jiří Hauschka, Markéta Urbanová, Jaromír 99, Jaroslav Valečka and others. Prague stuckists participated on a big Stuckists show Enenmies of Art in London, April 2011. In 2012 another group named Central Europe stukckists was founded, foudning memebers are Ján Macko, Markéta Korečková and Jaroslav Valečka. In 2013 Jiří Hauschka and Markéta Urbanová left Prague Sttuckists and started to be Central Europe Stuckists members.
The opening of The Enemies of Art. Left to right: Markéta Urbanová, Paul Harvey, Jiri Hauschka, Charles Thomson,
Joe Machine, Jaroslav Valečka, Michael Žantovský, Robert Janas, Edward Lucie-Smith, Ella Guru.
The opening, Stuck between Prague and London, left to right Jaroslav Valečka, Jiří Hauschka,
Edward Lucien - Smith and Edgeworth Johnstone
List of stuckists exhibitions:
2007 - Stuck in the Middle of November, Topičův salón, Prague
2008 - Between dream and reality, XXL gallery, Louny
2008 - Stuck in the Middle of November II, Galerie Dolmen, Brno
2010 - Private landscapes, Galerie Diamant, Prague
2010 - Stuck at the National gallery, Galerie 21.století, Prague
2011 - Prague stuckists, Výstavní síň Chrudim
2011 - Prague stuckist, Art Prague, Mánes, Prague
2011 - Enemies of Art, Lauderdale house, London
2011 - Stuck in the Emotional Landscape, Red gate gallery, London
2012 - Stuckists Tarot show, Insligton Art factory, London
2012 - Elizabethan Avant-Garde, Bermondsey Project Space, London
2013 - Stuck Between Prague and London, Nolias gallery, London
2013 - Stuck in Pardubice, City gallery Pardubice
2014 - STUCK!!, Vltavín gallery Prague
2015 - Stuckism, remodernising the mainstream, University of Kent
Stuck in Pardubice, 2013
List of catalogues:
2007 Stuck in the November, Topičův salon, Praha, text by Robert Janás
2008 Stuck in the November II., Galerie Dolmen Brno, text by Robert Janás
2009 Stuckism international, Victoria press, London, text by Robert Janás
2011 Prague stuckists, Výstavní síň Chrudim, text by Kateřina Tučková
2011 Enemies of Art, Lauderdalehouse, London, Victoria press, texts by Charles Thomson, Robert Janás and Edward Lucie - Smith
2011 Stuck in the emotional landscape, Victoria press, London, text by Charles Thomson
2013 Stuck between Prague and London, Victoria press, text by Edward Lucie - Smith
2013 Stuck in Pardubice, text by Martina Vítková
2014 STUCK!!, Edicion Arskontakt, text by Kateřina Tučková
Show in Studio 3 gallery, University o Kent